THE ROLE OF HISTORICAL INQUIRY IN SHAPING CONTEMPORARY PIANISM
Keywords:
historical performance practice, piano pedagogy, interpretive agency, performance studies, artist-scholar, musical interpretationAbstract
The integration of historical inquiry into advanced piano pedagogy offers a transformative means of reshaping contemporary pianism beyond the traditional emphasis on technical precision and standardized interpretation. This practice-based qualitative study examined the impact of systematic historical engagement on eight undergraduate and graduate piano majors within a university conservatory setting over two academic years. Through a pedagogical intervention encompassing primary textual sources, historical instrument study, early recordings, and contextual research, students prepared major works from the Classical and Romantic repertoire. Analysis of reflective journals, recorded studio classes, interviews, and performance recordings revealed three principal outcomes: a significant expansion of technical and sonic vocabulary, particularly in articulation and pedaling; the development of interpretive agency and intellectual ownership over artistic decisions; and a reconceptualization of the performer’s relationship to tradition, wherein historical constraints were reinterpreted as creative possibilities. The findings suggest that historical inquiry, far from representing an antiquarian specialization, serves as a foundational pedagogical tool that cultivates artistic independence, critical thinking, and a more profound connection between scholarly research and performative practice. This study argues for the integration of historically informed methodologies as a central component of university piano instruction, positioning such inquiry as essential to the formation of the contemporary pianist as both artist and scholar.Downloads
Published
2026-04-05
How to Cite
Nargiz Shamilyevna Polatxanova. (2026). THE ROLE OF HISTORICAL INQUIRY IN SHAPING CONTEMPORARY PIANISM . European Review of Contemporary Arts and Humanities, 2(4), 95–100. Retrieved from https://claritaslumen.org/index.php/ercah/article/view/112
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